Interview with Jeff Bell

Jeff Bell is a musician & visual artist currently living in Mansfield, OH. He is a key member of YelloWall Collective. He has been performing music for 15 years and, between his former band & solo projects, has put out12 CDs . He has been a visual artist for 10 years. I sat down with him in the square across from his downtown loft where we shared a smoke & explored how music & art collide in his life.

GypsyLuc: Can we start off by you sharing about the different facets of your artistic/creative life?

Jeff Bell: My art ranges from making djembe drums, mandolins & guitars to odd prototype instruments which are mostly unsuccessful but fun to do. Then there is painting, drawing, sculpture, playing, singing, songwriting & all aspects of composition.

GypsyLuc: Knowing you for a year & a half, I think it’s safe to say that music is very important to you. In addition to the actual music, your artworks usually have a musical theme. What is it about music that speaks to you?

Jeff Bell: More than anything it is probably just the freedom of expression. With art you have to have stuff & have to use just that one material. With music you can do it with almost nothing - with the simplest instruments even.

GypsyLuc: What is the nature of your relationship with music? Would you call it love?

Jeff Bell: No, I wouldn’t call it love because I think love is mostly an emotion or state of mind or feeling. I’d say I’d probably call it an obsession - something I have to do. It’s like checking the door lock two or three times before you leave. It’s more like a sickness than an emotion. Maybe like a disease… It’s sort of a relationship/obsession in some ways.

GypsyLuc: How long has this obsession with music been going on?

Jeff Bell: Since the age of three - as soon as I could climb up on the piano bench. I grew up with my grandparents. My grandma was a music teacher & probably 60 students came through there in a week.

GypsyLuc: If you see an artwork or hear a piece of music you created 15 years ago, how do you respond to it?

Jeff Bell: It depends on the piece. Obviously, some things from the past you like & are still attached to for a long time. Some things you knew you weren’t going to fall in love with when you finished them - although you still feel a connection to it regardless. You realize you were still honing your craft at that time.

GypsyLuc: What percentage of songs have you written which have never made it out to a public venue? How many artworks have you completely painted over?

Jeff Bell: Maybe 25% of songs I’ve written have never been heard publicly. As for paintings I’ve completely painted over - the number is low! Maybe 2 or 3... I don’t do that often because it’s just something you shouldn’t do. I’d scold myself for that! That would be one more painting you would have.

GypsyLuc: You recently quit your day job. Why was that? Was it difficult?

Jeff Bell: I’ve never had a lot of day jobs. If I do, they last for a while, but it’s always about the music! It’s always been about music. After 15 years of traveling & touring, I quit the band I was in to take some time off. I got offered a job building carrousels. It was great but it was easy to let that go. Music somehow always pays better. If you compare it to a day job, working 40 hours per week, you can make that in one night with music. It makes it hard to say yes to any day job.

GypsyLuc: While working for ‘the man’, how did you ensure you still had time for creative pursuits?

Jeff Bell: I only worked two days a week! I made sure when I took that job that it would be part-time. I don’t choose one or the other. I made that choice a long time ago. I decided that if I took day jobs I would keep it to a minimum.

GypsyLuc: What progression or changes have you seen in your materials, methods & subject matter over time?

Jeff Bell: It’s true that with any medium you work with you gradually go up & hit plateaus. It’s never a steady climb. With music, you notice your playing & songwriting getting better. Your wordsmithing gets better over time. With art, the more you think about it - the easier it is to come up with better ideas.

GypsyLuc: When performing or creating are you ‘present’? Are you aware of your audience & surroundings or do you go to some other place?

Jeff Bell: Both. There are times when I’m painting or creating art of some kind & I get lost. That right-brain-switch just happens & I get lost. When performing you’re aware of your audience most of the time. You can be thinking about what you might do for the rest of the evening, where you’re going to eat, sex, anything. There are times, when it going well, that you get sort of lost.

GypsyLuc: If you had to lose your hearing or your eyesight - which would you choose?

Jeff Bell: Oh man! That is an unfair question! Those are my only two options? How about half of both? If I had to choose I’d rather be blind. I could still play music & still perform. But, I’d need a chauffeur…

GypsyLuc: What current projects or goals do you have in the works?

Jeff Bell: As for projects: I’m finishing a CD. I’m getting ready to finish the writing & begin the recording. There are always some paintings coming up on the list & probably some wood sculptures. As for goals: more traveling for music - more so than the last year or two. The South is always nice. I’m hoping to get into the Woodchoppers Ball up in Kent where they pick 10 acoustic guitar players from around the Midwest.

GypsyLuc: What would be the ultimate setup for you as an artist/musician?

Jeff Bell: Hell! I think I might already have it right now. It would be a situation where if you do work a day job you don’t work much & can devote, say, 95% of your time to art. That’s probably most artists’ dream situation. But, I’m not sure most people know what that is. From talking to some people, I’m not sure they would even know what to do with that time.

GypsyLuc: So let’s say that you are in that dream situation right now. How long can you remain content in it?

Jeff Bell: I think forever pretty much! Even in a dream situation I might switch media, play for awhile, go back to art. Yeah. Pretty much forever.

GypsyLuc: You possess multiple talents. Do you consider yourself to be any more gifted than the next guy?

Jeff Bell: Hell no. Hell no! I think everybody has attributes or excel in certain areas. It may not be art or music. There are a lot of people who can do things far better than I can do them!

GypsyLuc: Any last words? Is there anything you want to toss out - one last song - before this show comes to an end?

Jeff Bell: Not really. I’m not a soap-boxer. I’m not political. I don’t really take a stand on a lot of things. I’m much happier to live life & not get too serious about any one individual situation.

Check out www.myspace.com/jbellguitar to hear Jeff’s music, book a show or find a listing of places where his art is on display.

Smediums: TAI Intro

Smashing the proverbial bottle of champagne on the maiden voyage of The Artist Interview, John Hargis kicks off his column by interviewing his alter-ego, GypsyLuc.

John: You’re one of the talented writers that have come onboard with TAI. Can you unlock the meaning behind your column’s title?

GypsyLuc: Smediums. It’s a word that splices ‘small’ & ‘medium’. A friend of mine uses it to describe pants that hang a little too short. It speaks to those times when a person has too much leg for not enough pant. Growing up we called them ‘highwaters’.

John: How does that idea fit into the concept of an Arts magazine?

GypsyLuc: As an artist, I am always dreaming, creating & experimenting with just one more thing - a new medium, a novel idea, the latest creative challenge. It’s sometimes hard to squeeze it all in - to wring out enough moments in the day to make it all happen. It’s like I need 32” long pants but have to fit it all into a pair of 30” smediums.

John: So, Smediums will present interviews with artists on how they find the time to integrate the arts into their lives?

GypsyLuc: Exactly. I’ll be focusing on how artists in Central Ohio weave creativity into the fabric of their day-to-day existence. We all have distractions, commitments & constraints that drag us away from creating. I want to discover the thrust behind the passion, the tricks, techniques & methods - whatever magic there is - to keeping art a priority.

John: You’ve got your fingers in a lot of things yourself: full-time job, three hour daily commute, taking care of wife & kids, creating & marketing your art, writing, open mics, serious involvement in YelloWall Collective… How do you find time for it all?

GypsyLuc: It’s tough, no doubt. It comes down to art being a necessity in my life. While it might be possible for me to exist without it, I definitely can’t thrive that way. I’m equal parts planner & opportunist. I reserve Wednesdays & weekends for art creation. I set deadlines & hold myself accountable to meet them. I sketch at work during meetings & conference calls, refine ideas in my head around the clock, record writing snippets on my cell phone while driving. I reject other opportunities in order to carve out space for art. Sleep is optional at times! Plus, I have some amazing artistic friends who inspire me & push me to keep creating in the midst of the melee.

John: Is it going to be even more difficult to squeeze a monthly column for TAI into an already jam-packed schedule?

GypsyLuc: It’ll work out. The ideas are exploding in my head already! I’m excited about meeting with other artists & passing on the stories of what they’re currently into, why they choose to create & how they make the time. Hopefully, our readers can glean some wisdom & scraps to lace into their own lives. Writing is art. I strive to make time for art. And, in the end, what’s wrong with having a little more leg poking out of the bottom of my smediums?

TAI - Review & Interview

Top Notch Book-Arts of John Luc Hargis

As TAI is growing quickly, I have to say it is hard to keep up even with the talent of all our contributors, who are also working artists. I thought it would be important to start interviewing some of our very own staff who have bravely stepped up to contribute in not only writing about the arts in our community, but who also have exceptional talent in various fields of art. I am embarrassed to say, that for some of them I am viewing their work for the first time, whereas others, I have been aware of for years. As TAI readers, I hope you enjoy becoming more acquainted with their work as we continue to cover the arts in Ohio.

I personally work in printmaking and come across a lot of artists that work in altered books. I even took a few bookmaking classes in college but never really did anything exceptional with it. In reviewing John’s work, I honestly have to say that he quickly became one of my new favorite local artists. I don’t know how I haven’t been acquainted with his work before. His work is crisp, pristinely executed and ultra thought provoking. He literally uses recycled books, which in elementary terms are full of verbal information. But this fact takes a backseat role, as the books at times are used as a canvas displaying layers of visual information. His work shows an entertaining play between the concept of written information and that of visual storytelling.

Conceptually, I found his work to have an interesting weight dynamic as my thoughts were in a constant seesaw of comparison reflecting on content between title and that of visual dialogue. His work questions how various types of information are presented as language-verbal, auditory, visual and (by using recycled found objects) even the relevance history having lingual weight. In my view, he certainly accomplishes the saying of ‘a picture is worth a thousand words’. I hope you enjoy the interview below and I will certainly be following John’s work as it progresses.

For all you art collectors out there John is my Collectors Pick suggestion for this month.

-Stephanie Sypsa



You recently exhibited your work? What was the gallery?
JLH-My 'Altered Library' was on display at Kenosis Gallery for Experimental Art at 14 Park Ave South in Mansfield. It is located on the south side of the Square right next to Park Street Pottery.

How were you able to get into this show?
JHL-Kenosis is a brand-new gallery opened up by my good friends Jason Kaufman & Jenny Lucas. They concerted a downtown storefront into a combined gallery / living space. Jason & I are both heavily involved in the YelloWall Collective - a group of artists, writers, musicians & random creative folk who actively engage the community with cutting-edge art & artistic living. When Jason & Jenny opened the gallery in November, I was honored to be the first artist to display. They are actively searching for other artists specializing in non-traditional media, performance art, highly conceptualized work and anyone who is hovering at the edge of 'art', pushing beyond the established boundaries & has the technical ability to pull it off. Anyone interested can contact Jason @ 567.203.8018 or Jenny @ 440.315.7492

I am really impressed with your work. I mean I wanted to include your whole portfolio on here! What is your current artist statement for your current body of work?
JLH-Since I'm never at a shortage of words, which could take a few pages... The abbreviated version would be:
The main purpose of the Altered Library is to feed our desire for a quick story - an on-the-spot narrative. The pieces serve as a commentary on how our society has shifted from a slow/easy/taking-time-to-read-a-book-under-a-tree culture to one that snatches blurbs/sound bites/blogs/text messages/tweets on the fly.

With impatience, short attention spans & the desire to have what we want right now being undeniable realities of where we are as a culture, I want to create an appealing visual snack to satiate our bent towards immediacy. Perhaps the works are nothing more than another spineless offering to our flaws. Or, perhaps, they are providing the viewer an opportunity to quickly & bluntly experience the equivalent of drive-thru, hot and ready art.

Do you visualize your Art before creating? Do you know what it will look like before you begin? What's your process?
JLH-I would say that 90% of the time I know what 80% of the finished piece will look like. My basic concept behind book altering is to take a used or discarded hardcover book & transform it into something new, alive & different from the original stream of words. Yet, I still seek to retain a ghost of the original book somewhere in the final piece.

For this series, I decided to focus mainly on wall-hung altered books where the book itself serves at both the artwork & the frame. The inspiration can come from the physical aspects of the book's cover design, color, size or title. At other times, I begin the process with a specific concept I want to express. And then there are the times when an idea springs forth from a particular item or illustration I want to incorporate into the piece.

While individual books get uniquely altered based on the story I want to tell, my main techniques include carving niches & nooks in the books, adding 2-D & 3-D material to help the plot develop & finally sealing the pages shut - never to be opened.

Through this experimental process, the final 20% of each piece develops. Serendipity, necessity, chance & 'Eureka!' moments further polish the piece as it is created.


What are the most important influences that have moved you as an artist?
JLH-Always seeing the innate potential & undiscovered beauty in things: pine straw, mistakes, mud puddles, discarded things, overlooked people, dusty old books which smell of time & story & word craft.

You work is so intricate and very unique. Is there anything you consistently draw inspiration from?
JLH-Actually, I'm hard pressed to find something from which I do NOT draw inspiration! It flies at me and bombards me from every side: the sky, conversations, lyrics, thrift stores, literature, friends, emotions, waffles, bumper stickers... the list goes on & on & on...

How is your work a reflection of you?
JLH-Man - I hope this doesn't end up sounding pompous...lol. It is an outflow of my inner life. It is intelligent. It wants to speak - to say something worth saying. It wants to be heard. It wants to move people to think & to change & to affect change around them. I hope my work reflects my burning passion for passionately living a passionate life.

Do you see any emerging local, national, or global art trends that interest you?
JLH-Honestly, other than Juxtapose and Art:21, I have very little knowledge of what's going on in the larger art realm. What I do see & know firsthand is that there are amazing artists all around me who inspire me, drive me to jealousy & push me to push my craft even harder. I am experiencing the trend in my own art community of dissolving the membranes between different genres: music, visual art, poetry, performance. That excites me! The creatives I am connected with are actually beginning to execute the crazy ideas we've been toying around with during special moments when our randomness brainstorming hits critical mass. I feel that our goal of intentional engagement of the community-at-large with the arts [whether they like it or not!] is being birthed right in front of my eyes.

Do you see anything exciting developing within your community that you feel will have and affect on the local art scene?
JLH-Oops! Seems as though I jumped ahead and hit on this one already... I can say that I have seen an increase in public awareness of 'other' art because of the direct actions of some creative folk... I don't know if a huge number of people have converted, but I definitely know that some eyebrows have been raised, some have found out they are not alone & others have decided to throw stones. At any rate, the artists have started to speak & some - indeed - do have ears to hear.

Your work seems very time consuming. How do you balance your personal life as a working artist?
JLH-First & foremost, I have an amazing partner-in-crime who gives me the space I need to do what I was created to do. My wife, Stacie, grants me the freedom & unalienable right to live life creatively. The rest is up to me. I've been pondering this question of 'balance' with both myself & other artists. What I have found is that if something is important to you - no matter what - you blaze a trail to make it happen. While I could go into specifics of calendars, scheduling, sacrifice & the like, I'd rather respond with a greater answer. My personal life is important to me so I make time for that aspect. My artistic life is important so I make time for that aspect. I put worth on each of these areas and try to marry them whenever I can. I'm not sure if I'm writing a book or just altering one I've already had around for awhile. But when it's all said and done I want it to say something worth saying. If that's not a good enough reason to find that balance, I don't know what is.

Collectors Pick: For you collectors out there, I would highly recommend viewing John's work in his Facebook Account.