Showing posts with label YelloWall Collective. Show all posts
Showing posts with label YelloWall Collective. Show all posts

Sunday, May 2, 2010

YelloWall Collective - 'Substitute'



It took weeks for this random group of creative thinkers to come up with a name for ourselves. So when the thought was tossed out that we throw our collective talents into a common visual arts submission for an upcoming art show, we - of course - had to sift through quite a bundle of ideas. What we settled on was an 'exquisite corpse' project of a life-sized figure with the working title of 'The YelloWall Doll'.

The specifications:
- Allot one body part to each interested artist
- The artist would then create the 'life-size' limb/organ/part using the medium of his/her own choosing
- During creation, the artist should bear in mind the need for attachment to the other components & incorporate a hook, loop or other connection point

A total of 20 artists ended up participating:
Ken Arthur, Laurie Beekman, Jeff Bell, Linda Chevalier, Kevin Cochran, Kathy Fetzer-Goodwin, GypsyLuc Hargis, Jason Kaufman, Misty King, Jenny Lucas, Tracy McAdams, Antoinette McMillen, Karch Mohafer, Andi Phillips, Kate Shannon, Cameron Sharp, Tyler Sweet, John Thrasher, Kate Westfall, Sabrina York

With that many artists in the mix, we ended up with some amazing elements fashioned from a multitude of materials. These materials ranged from the organic end of human hair to the manufactured end of a prosthetic leg.

In addition to the efforts of each artist to create his/her body part, there was also a lot of effort put forth in organizing, assembling & transporting 'Substitute'. Through the process we experienced excitement, frustration, cohesion, problem-solving, teamwork, creation, synergy, pride & elation. We had absolutely no idea how the final project would turn out. When you throw together 20 different artists with vastly different visions, styles, skill levels, preferred media & voices you definitely go into it with a big question-mark at the end.

In the end, the hard work & headaches paid off! The exquisite corpse piece was accepted into the 65th Annual May Show at the Mansfield Art Center http://www.mansfieldartcenter.org/. But not only was it accepted, it also won a cash award for creativity.

During the opening reception, patrons of the show were constantly huddled around studying, discussing & pointing at 'Substitute'. From conversations, it seems that what drew them to the piece was intrigue, fascination and, mainly, the understanding that many individual parts came tgether to form a cohesive whole.

The one thing that remains to be seen is what will become of our little 8' tall Frankensteinesque creation once the show is complete. There has been talk of finding him a permanent home somewhere in the Mansfield community where he can continue to live & breath & share his almagous message. As a Collective, we would love to see that happen. Of course, if it doesn't, we've already got a backup plan in the works...

[See
http://en.wikipedia.org/wiki/Exquisite_corpse to learn more about the history & variations of an exquisite corpse project.]

Saturday, April 17, 2010

Interview with Jeff Bell



Jeff Bell is a musician & visual artist currently living in Mansfield, OH. He is a key member of YelloWall Collective. He has been performing music for 15 years and, between his former band & solo projects, has put out12 CDs . He has been a visual artist for 10 years. I sat down with him in the square across from his downtown loft where we shared a smoke & explored how music & art collide in his life.


GypsyLuc: Can we start off by you sharing about the different facets of your artistic/creative life?

Jeff Bell: My art ranges from making djembe drums, mandolins & guitars to odd prototype instruments which are mostly unsuccessful but fun to do. Then there is painting, drawing, sculpture, playing, singing, songwriting & all aspects of composition.

GypsyLuc: Knowing you for a year & a half, I think it’s safe to say that music is very important to you. In addition to the actual music, your artworks usually have a musical theme. What is it about music that speaks to you?

Jeff Bell: More than anything it is probably just the freedom of expression. With art you have to have stuff & have to use just that one material. With music you can do it with almost nothing - with the simplest instruments even.

GypsyLuc: What is the nature of your relationship with music? Would you call it love?

Jeff Bell: No, I wouldn’t call it love because I think love is mostly an emotion or state of mind or feeling. I’d say I’d probably call it an obsession - something I have to do. It’s like checking the door lock two or three times before you leave. It’s more like a sickness than an emotion. Maybe like a disease… It’s sort of a relationship/obsession in some ways.

GypsyLuc: How long has this obsession with music been going on?

Jeff Bell: Since the age of three - as soon as I could climb up on the piano bench. I grew up with my grandparents. My grandma was a music teacher & probably 60 students came through there in a week.

GypsyLuc: If you see an artwork or hear a piece of music you created 15 years ago, how do you respond to it?

Jeff Bell: It depends on the piece. Obviously, some things from the past you like & are still attached to for a long time. Some things you knew you weren’t going to fall in love with when you finished them - although you still feel a connection to it regardless. You realize you were still honing your craft at that time.

GypsyLuc: What percentage of songs have you written which have never made it out to a public venue? How many artworks have you completely painted over?

Jeff Bell: Maybe 25% of songs I’ve written have never been heard publicly. As for paintings I’ve completely painted over - the number is low! Maybe 2 or 3... I don’t do that often because it’s just something you shouldn’t do. I’d scold myself for that! That would be one more painting you would have.

GypsyLuc: You recently quit your day job. Why was that? Was it difficult?

Jeff Bell: I’ve never had a lot of day jobs. If I do, they last for a while, but it’s always about the music! It’s always been about music. After 15 years of traveling & touring, I quit the band I was in to take some time off. I got offered a job building carrousels. It was great but it was easy to let that go. Music somehow always pays better. If you compare it to a day job, working 40 hours per week, you can make that in one night with music. It makes it hard to say yes to any day job.

GypsyLuc: While working for ‘the man’, how did you ensure you still had time for creative pursuits?

Jeff Bell: I only worked two days a week! I made sure when I took that job that it would be part-time. I don’t choose one or the other. I made that choice a long time ago. I decided that if I took day jobs I would keep it to a minimum.

GypsyLuc: What progression or changes have you seen in your materials, methods & subject matter over time?

Jeff Bell: It’s true that with any medium you work with you gradually go up & hit plateaus. It’s never a steady climb. With music, you notice your playing & songwriting getting better. Your wordsmithing gets better over time. With art, the more you think about it - the easier it is to come up with better ideas.

GypsyLuc: When performing or creating are you ‘present’? Are you aware of your audience & surroundings or do you go to some other place?

Jeff Bell: Both. There are times when I’m painting or creating art of some kind & I get lost. That right-brain-switch just happens & I get lost. When performing you’re aware of your audience most of the time. You can be thinking about what you might do for the rest of the evening, where you’re going to eat, sex, anything. There are times, when it going well, that you get sort of lost.

GypsyLuc: If you had to lose your hearing or your eyesight - which would you choose?

Jeff Bell: Oh man! That is an unfair question! Those are my only two options? How about half of both? If I had to choose I’d rather be blind. I could still play music & still perform. But, I’d need a chauffeur…

GypsyLuc: What current projects or goals do you have in the works?

Jeff Bell: As for projects: I’m finishing a CD. I’m getting ready to finish the writing & begin the recording. There are always some paintings coming up on the list & probably some wood sculptures. As for goals: more traveling for music - more so than the last year or two. The South is always nice. I’m hoping to get into the Woodchoppers Ball up in Kent where they pick 10 acoustic guitar players from around the Midwest.

GypsyLuc: What would be the ultimate setup for you as an artist/musician?

Jeff Bell: Hell! I think I might already have it right now. It would be a situation where if you do work a day job you don’t work much & can devote, say, 95% of your time to art. That’s probably most artists’ dream situation. But, I’m not sure most people know what that is. From talking to some people, I’m not sure they would even know what to do with that time.

GypsyLuc: So let’s say that you are in that dream situation right now. How long can you remain content in it?

Jeff Bell: I think forever pretty much! Even in a dream situation I might switch media, play for awhile, go back to art. Yeah. Pretty much forever.

GypsyLuc: You possess multiple talents. Do you consider yourself to be any more gifted than the next guy?

Jeff Bell: Hell no. Hell no! I think everybody has attributes or excel in certain areas. It may not be art or music. There are a lot of people who can do things far better than I can do them!

GypsyLuc: Any last words? Is there anything you want to toss out - one last song - before this show comes to an end?

Jeff Bell: Not really. I’m not a soap-boxer. I’m not political. I don’t really take a stand on a lot of things. I’m much happier to live life & not get too serious about any one individual situation.

Check out www.myspace.com/jbellguitar to hear Jeff’s music, book a show or find a listing of places where his art is on display.

Friday, November 6, 2009

Pole Party Performance Project


So, I would like to have left the veil of mystery on a little longer but...
& someone posting a link to the online photos in the article's comment section...

I guess a detailed explanation of the Pole Party Art Installation in The People's Republic of Bucyrus is warranted. Here's the full story - from the artist...

It was time for an art installation. Since I moved to The People's Republic a little over a year ago, I felt that my new hometown would be the perfect place.

PLAN 1:
My original idea was to wrap poles in the city from downtown - the usual location of the Brat Fest- to the fairground venue it called home this year. There was a lot of negative chatter around town about the move & I wanted to make that physical connection between the two places - show that even with a change of scenery, & a different 'feel' to it, it was still the Bratwurst Festival. Unfortunately, the idea came to me too late to actually execute it in time.

PLAN 2:
Since I got a the donation of a bolt of bright orange fabric, I thought the black/orange color scheme would work well around Halloween. Thus, the Pole Part Performance was born.


EXECUTION:
I measured a few poles to get the average circumference, created 3 pretty time-intensive stencils & cut the fabric. Then, I began spraying the pieces with a little help from some friends. Then, on 10/24, I got together some of my creative folk - artists, musicians, poets, a tattooist, vocalists & our kids, etc for dinner & a public art project.

We split the city into thirds. Next, 3 drivers volunteered to chauffeur. We drew names to form the teams & set out w/ 60 pieces/banners/posters/panels/images. Armed with hoodies, masks & staple guns we swam out to distribute free art around the community.

Pole selection within each area was left up to the individual team. We set the goal of balancing residential & commercial areas. Some locations were planned ahead while others were just randomly placed as the creativity led. We fanned out & made it happen, taking a few photos along the way. Afterwards, we returned to the mother ship & laughed & shared & celebrated as we viewed a slide show of the night.


INTENT:
First of all, 'malicious' is not my thing. More of a lover than a fighter... Contrary to many popular theories heard around town [as far as I know...] there were no aliens, occult members, a specific band, heroin users, al Qaida, gang ruffians or stupid kids involved in the process. It was simply an art project intended to peak curiosity, cause people to pause & take note & [hopefully] regain a sense of youthful wonder for a moment in time. [??Mission accomplished??]


MEANING:
Images: I chose tentacled sea life for a reason. [I love that some people interpreted one of the creatures as a rooster, though!] I wanted to pop a question in the minds of the discoverers. Why sea life? Why a squid/octopus/nautilus? After all, we're quite a bit inland & sea life doesn't really belong here...

Arrows: The arrows were added as an extra bonus! These made the project participative & interactive. One could follow the arrows and see where they led. There was no intentional rhyme or reason in the placement, so the randomness would take a follower wherever the arrows happened to direct. [Thanks to all those that took a chance & followed the arrows! You got the point! And wasn't there 'life' in the process?]

DEEPER PURPOSE:
So why even do it at all? I wanted to get community members to think for a moment. I have always wondered if 'Lower Lifeforms' truly have the ability to think, calculate, wonder, have true consciousness. Do they know what they're doing or do they simply respond to natural stimuli?
- "Oh, light - swim over there."
- "Cold - must move."
- "Touched something - eat it."

Often, I believe we humans fall into the same cycle - the same invertebrate mindset. We swim along reacting to external stimuli without really feeling, living, thriving...

What if - for an instant - I could help the inhabitants of The People's Republic of Bucyrus to cross into consciousness? What if, through 30 hours of work & $10 worth of supplies, I could entice them to see, ask questions & breathe fresher air for a time?


THOUGHTS:
Although I'm new to town, I am aware of the plant closings in the area. I have friends & family who have experienced layoffs from local businesses. We can respond to that stimuli as
- "Makes sense. Automotive industry struggling."
- "Sucks. Move on."
- "Hungry. Where food?"
- "Bills. Need help"

But what if - instead - we asked deeper questions? What could we do to turn this area around economically? How can we approach this problem creatively & affect change upon it?

- "What if we created industry that would set little Bucyrus apart in the Midwest as the leader in a new capacity? A breakout industry"
- "What if we tapped into the coming demand for clean energy & started manufacturing windmill blades or rechargeable batteries or the infrastructure needed to power electric cars?"
- "What if we reinvented the mobile home & began manufacturing 2-story models, round ones, 2-story/3-story round ones?"
- [Insert your own living, breathing, creative idea here]

Hopefully you get the gist. The old paradigms have changed. This part of the country has experience in manufacturing. If we're gonna stick with that - then let's set the example. Let's think creatively on what that would look like in the new economy w/ the changing culture of the world. How do we get in on the ground floor of what's coming next?

Back to the tentacles...
Each of the 3 images selected have 'arms/hands' of a sort. I could have used sponges or sea urchins or coral or slugs... I chose animals with the capacity to grab, to hold, to manipulate, to work with their 'hands'. We can dream & hope but we must also put our hands to work to make things happen.


CONCLUSION:
So, the Pole Party Performance Project was/is:
- A free public art installation
- A distraction from the mundane
- An opportunity to wonder again
- An opportunity to wander again :)
- A challenge to revamp who we are as a community

Perhaps we're floating downstream with the current. Perhaps it's time to fight against the tide. Perhaps it's time to recognize the stimuli & not just react to it, but affect change upon it.

Thanks for participating! The conversation has started...

~GYPSYLUC

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COMMENTS? WANT TO BE INCLUDED IN FUTURE PROJECTS?
email: hesaidfollowme@hotmail.com
facebook: http://www.facebook.com/luchargis
myspace: www.myspace.com/gypsyluc

INTERESTED IN SEEING MORE ARTWORK?
http://www.etsy.com/shop/gypsyluc
http://www.facebook.com/album.php?aid=117793&id=656233114&l=07f51c00d7
Matters of the Art - Bucyrus
Mansfield Art Center - Mansfield
Kenosis Gallery - Mansfield [Solo Show opening Thursday 11/12 - Details Upon Request]

Saturday, October 31, 2009

Pole Party Performance


59 fabric/stencil/spraypaint artworks
stapleguns
hoodies & facemasks
fellow ninjastic, clandesinated cohorts

1 night
the People's Republic of Bucyrus
Dissemination into the city [divided into 3rds.] Random & Studied posting of tentacled polewraps throughout the city. Zero (0) incidents. 100% success.

FUTURE: they will remain living in their places until blown away, stolen, adopted, or rotted